Whiskey isn’t the only thing Scotland has going for it, as Arab Strap is back in the saddle again with their latest album in quite a spell. As Days Get Dark is bound to have die-hard fans in bliss at Arab Strap’s return, and is sure to galvanize a newer fan base. This record will be there first under Action Records after having reformed in 2016 following their ten year break, and thus signing with the record label just recently in 2020. Founding members Aidan Moffat and Malcolm Middleton are back to show the world that they still have appeal, and why they deserve a larger stage.
As Days Get Dark is far more mature version of the band in terms of how polished they’ve become as far vocals and instrumental skill is concerned.
Officially, as ‘Arab Strap’, this will be the band’s first album in sixteen years. Music fans who don’t know them will be introduced to something of a new band, whilst the veteran fans of the pair will see hints of the band’s originality as well as a glimmer of freshness not typical of Arab Strap. What’s the same? Yes, they’re still singing in those thick Scottish accents, setting themselves apart from many a foreign artist who decides to mask their native dialect. Their lyrics are still personal, deep, and creative. What’s different? In essence, As Days Get Dark is far more mature version of the band in terms of how polished they’ve become as far vocals and instrumental skill is concerned. Those that know, will know, and for those that don’t, this album will be a good starting point before running back to binge on their older tunes.
This slow core indie rock album is perfect for time to one’s self. It’s a steady paced record all the way through with soothing vocals on the part of Moffat and masterful guitar playing by Middleton, along with the numerous electrical FX added into the music production. Enough can’t be said for how proficient the writing is, or for how Moffat goes about singing the verses almost as if he’s narrating a novel. Arab Strap’s content is still familiar, never fearful of discussing sexual fantasies or activities of any sort. Here Comes Comus! offers up a dose of the dirty in its lyrics, pushing the lascivious themes to the front and center. Slower yet similar is Another Clockwork Day, though much more centered on enjoying said pleasures alone at the end of a long day. It’s not all flogging the bishop or getting their rocks off however. Bluebird is more of a personal song, stressing the difficulties of being in love and the off/on hot and cold feelings that come with it. Just Enough is the most appropriate closer. A haunting piano accompanies Middeton’s guitar as Moffat sings an incredibly immersive song suggesting desire, despair, and darkness.
Moffat and Middleton have made a strong choice to team back up. As Days Get Dark is a new chapter for the band that’s now put them in the driver’s seat of obtaining a musical following the likes of which they never thought possible. Available now to stream.
