Few would’ve forgotten about Philip Seymour Hoffman even though he’s been off the screen for almost a decade now. The late actor defied everything about the typical tropes of being a movie star, having played numerous supporting and leading roles in his tenure despite having less than average physical appeal. Even though his fame or performing prowess was never in question, there are still films of his that are not as widely known. Ironically, living actor Ethan Hawke falls into this same area, both in terms of his presence and of course regarding some of his films.
Before the Devil Knows You’re Dead is a film in which the two would share the screen, practically in equal capacity
Before the Devil Knows You’re Dead is a film in which the two would share the screen, practically in equal capacity. It is of course a movie of which would hardly turn a profit, even though Hoffman and Hawke were both established as industry professionals by this point. Unfortunately, it’s simply not the type of film that has casual cinema fans rushing to buy a ticket. That shouldn’t count as a reason not to see it now though. Hoffman and Hawke play brothers Andy and Hank. Both have money problems, each for different reasons, though both are searching for a way out. Their shot at starting over takes the form of a jewelry store robbery, one that would unfortunately blow up in their faces.
Writer Kelly Masterson teamed up with director Sidney Lumet to tell a story that is unsettling and morally reprehensible, yet surprisingly, far too real. Through them, Before the Devil Knows You’re Dead shows itself as a non-linear narrative that is constantly unfolding and in a sense, imploding. The script is smart in that the way things seem to go from bad to worse somehow feels understandable. The average person may not attempt something as reckless as these brothers do, but the storyline is structured in such a way that leaves viewers able to resonate and sympathize with the situation. Hoffman and Hawke are as locked in as they’ve ever been, both actors shining in multiple scenes from start to finish. Hawke’s character is diffident and desperate, where Hoffman’s is overly ambitious and cold hearted. Everything about the movie depends solely on their performance, and the pair of them left no stone unturned in Before the Devil Knows You’re Dead. Albert Finney and Marisa Tomei also have more than enough screen time to make their mark, and they do so unrestrained.
Before the Devil Knows You’re Dead is one of the last films of the early 2000s that relied upon the actors, the director, and the writing as opposed to spectacle or concept. There are no over the top special FX, randomly timed explosions, or popular political statements in this. It can be uncomfortable at some moments, and in others can relay some of the most thought provoking ideas ever. So be advised, as this isn’t a theme park ride or a feel good adventure. Before the Devil Knows Your Dead is a journey that only the bold can endure.
